The Appeal of Smooth Jazz – One Man’s Opinion… Okay a couple of people’s opinions. :o)

The Onion which bills itself as ‘America’s Finest News Source’ (1) ran an article this week called, "No One Sets Out To Be A Smooth Jazz Musician". I’ve long believed that smooth jazz lends itself to the popular music category because it is so easy for the average listener to enjoy. But it has long raised the ire of the professional musician because it is realitively easy to create and doesn’t really delve into some of the more complex aspects of the jazz genre.

So Michael Langello, who defines smooth jazz as, "watered-down instrumental versions of innocuous pop songs to audiences composed primarily of over-30 middle-class moms and their husbands" sez in this article,

"Look, I’m not going to lie to you. Nobody ever just woke up one morning and thought, "Of all the things possible in the vastness that is life, what I’d really like to do is play smooth jazz 250 nights a year." It just doesn’t work that way.

It’s not something you can plan for—it’s all circumstance, I swear: You want to play music for a living. You bust your ass paying your dues in tiny clubs with six people in the audience. You think about all the talented jazz musicians out there who can’t make ends meet and you start to worry. The next thing you know, your agent has you filling out forms to legally change your name from Mel Jablonsky to Michael Langello, and it’s seeming like a good idea. Then suddenly you’re 40 years old and you open up your dresser drawer to find nothing but linen pants.

But it starts so innocently. When you sign up for band in the fifth grade, you’re upset to learn that the only instrument left is the alto sax, but you decide to make the best of it. You tell yourself, "This sounds kind of cool, I guess, sort of." What you could never know is that at that moment you have taken the first step down the long path toward a highly lucrative spot in heavy rotation on every smooth jazz radio station in every dentist’s office in the country."

The king of the smooth jazz saxophone phenomenon is Kenny G. And speaking about him with love on such places as the Sax On The Web forums can get you marked as a rookie. As is the rep of The Onion this article is a very funny read, albeit painful for many ‘real’ musicians. :o)

1 – Props to David at Casa Valdez Studios for the pointer to this article. :o)

Unknown's avatar

About Gandalfe

Just an itinerant saxophonist trying to find life between the changes. I have retired from the Corps of Engineers and Microsoft. I am an admin on the Woodwind Forum, run the Pacifica Big Band (formerly the Microsoft Jumpin' Jive Orchestra) and participate in other ensembles. Mostly enjoy time with family and friends.
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3 Responses to The Appeal of Smooth Jazz – One Man’s Opinion… Okay a couple of people’s opinions. :o)

  1. Unknown's avatar L says:

    Put me down as rookie then, I admit to liking smooth jazz and Kenny G. Just listened to a song on my iPOD by him :-)

  2. Unknown's avatar Crazy says:

     
     
     
     
    I loved the comment you left me.
    LOL
    Actually I did run off with a rocker…
    I married a drummer 26 years ago.
     
    Have a great evening…
     
    Shannon
     
     
     

  3. Unknown's avatar Gary says:

    Jim,  you didn’t say whether you liked Smooth Jazz. 
     
    I will man up and admit I do like some.  But there varying degreed even within that genre.  I’ll occasionally enjoy Rick Braun, Boney James, or Mindy Abair.  I have always enjoyed Spyro Gyra and Chuck Mangione (Which some people consider to be smooth Jazz).  These are some talented people that have choosen to make the music they are doing.   (I will admit I have no knowledge of Kenny G.  I know he is widely disparaged as not being very talented, but  I do not know)
     
    On the other hand Brian Culbertson bores me to tears.
     
    At the end of the day, if the music moves you, then its a success. 
     
    G
     

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