Eppelsheim Bass Sax to Low A

Ever since I purchased the Ward Baxter arrangement of You’re a Mean One, Mr. Grinch (this sample played by Jay Easton, I’ve been jones’ing for this creature, a bass sax to low A. I can play this solo if I have my grandson stand by my Buescher bass sax and shove a round cardboard extension in just when I get to the part that requires a low A.  :o)

The first step was to visit Jay and try his Eppelsheim contra-bass sax. I was amazed to find that I could play the full range of the instrument without alternate fingerings or weird overtones to fight. Sweet!

I then found that Benedikt Eppelsheim customizes the instruments for his buyers. I also found out that he is really busy now with a number of new orders! Here are my asks for this bass sax:

  1. Keyed to low A
  2. Lacquered similar to my Selmer Ref 54 LE alto sax which is much oranger than pictures can capture (I’ve mocked one up below)
  3. Hard and soft case (this is custom work because the low A necessitates a longer bell)
  4. Engraved with a Botticelli Venus on the bell

I hope to see this instrument sometime this Fall and certainly in time to perform the Grinchy number for Christmas with the Woodinville Community Band. You can read more about and hear bass sax sound clips at Jay Easton’s Bass Sax page.

The intonation on Eppelsheim saxophones as witnessed by the soprillo I purchased this year and the contra-bass sax I tried at Jay Easton’s house is superb. I often will have two to four instruments at a time and I need to be able to go from horn to horn without having to remember that one of the saxes has an intonation problem for me to wrestle with.

Getting a stand for this beast will be very challenging too. Because it is keyed to low A the bell will be approximately six inches longer than a standard bass sax. I’ll have to talk to some of the good folks on the Bass Sax coop to see what they recommend.

Posted in Saxophone | 1 Comment

In the music business, another horror story

  I met a very interesting fellow last night at a party (thanks Neil and happy 30th). Let’s call him Joel. Joel wanted to major in music performance. Like me he played the saxophone. But in his freshman year a professor indicated that for Joel, and many others, it would be very hard to eek out a living doing what they loved.

The professor asked leading questions like, "Do you like nice things." Well most of us do. So Joel changed his major to business and ended up working in the retail instrument business for a company he’d worked with since he was 17 years old.

Well one day while working as a salesman, he sold a piano to a seemingly nice couple with two kids. This couple had been in the store three times and had even brought their two kids in to try a beautiful, new grand piano. They finally put the piano on their credit card and showed proper ID. The credit card cleared.

They indicated they were moving into a new house and they wanted the piano in there before their furniture came. It sounded legit. When Joel and the crew showed up to set up the piano, the couple was there with the two kids running around. There was a U-haul in the drive way, but it was closed so that the crew couldn’t see inside of it. The couple walked Joel through the upscale house and showed him around the place.

So Joel and crew set up the piano in the living room and the couple played it a bit. They weren’t very good players and said they were musicians long ago who hadn’t played much as of late. Sometime later the store got a credit card rejection because the credit card used to buy that piano was fraudulent. This couple had stolen a grand piano. Apparently getting a stolen number and creating a new card is not that difficult. As far as Joel knows, the couple was never apprehended for that theft.

Joel said he was really struck hard by this loss. It took it quite personally as any of would. He has been in the business for a while now and it has happened twice to him. Apparently it is a rather too common occurrence in the industry. I wonder if that is why it took over two weeks for Suzy and me to get our grand piano delivered?

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How hard a reed and overtone exercises

I have heard this question many times and many ways, "How hard a reed should I be using. I really like the answer provided here.

David Valdez: I’m generally against starting students out on really soft reeds. I don’t think that it is very helpful because it trains you to play with a much different embouchure than a professional would use. There is some amount of muscle and air-stream control that needs to be developed over time, but it’s not like you need to become iron-lips in order to have a good sound. I was talking to Ralph Morgan, the master mouthpiece maker and former head engineer during Selmer’s Mark VI production, and he was saying how he thought that no one should ever play anything harder than a 2 1/2 or 3 reed on a 5 tip opening mouthpiece.

Read more:

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Amping up the Jazz xTet: Gandalfe buys into a PA System

Suzy and I have been toying with how to mike the jazz xTet. We have been practicing sans mikes and for our vocalist, that is not a good thing. We have regular musicians, have purchased some serious combo music, and have started to define our set list.

So we ventured over to the Guitar Center hoping to get some stuff on sale and buy the most wattage for the lowest price. We wanted portability, juice, and clean sound. Oh, and if possible a system that was intuitive in design so that it would be easy to set up and use.

We had considered the Cadillac of systems the Mackie  because we had a friend who could get us a serious discount. Everyone we talked to and a couple of bands use the Mackie PAs but the price point for us was too high at $3000 without the mikes, cables, and such.

So we purchased this Kustom Profile Two 300W PA System with Roller Bag for $400 under list. We also purchase a really nice Shure vocalist mike/cable, two horn mikes/cables, and speakers/mike stands. The speakers are 300 watt speakers. The large case has wheels and a luggage style, pop-up handle. So we can wheel this whole unit in and carry our instruments on our shoulders.

Suzy and I set it up yesterday in the music room (come living room) and it should only take us about ten to 15 minutes to setup once we get used to the procedure. We noodled with the adjustments and were able to get all three condenser/procimity mikes to work without squealing. Note to self, get earplugs for the earth-shattering squeal that happens when you point the mike at the amp unit! ;o)

The next practice session we will mike the vocalist and see how she sounds with the four horns that make up the juice of the band.

Posted in Jazz | 3 Comments

Dumb Drummer Joke ;o)

On the eve before Custer’s Last Stand, two soldiers sat in their tent and listened to the ominous and incessant Indian drums in the background.

“I don’t like the sound of those drums, Jim”, said one.

“I don’t like the sound of those drums either”, said Jim.

Suddenly an Indian pulled back the tent flap, stuck his head inside and said, “Sorry guys, he’s not our regular drummer!”

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Sweet Sue Terry does the Podcast Thang

 Sweet Sue is the featured artist on the current Sax Tips Podcast, hosted by the wonderful saxman Evan Tate, an American currently living in Germany.

If you’ve never experienced a Podcast, don’t be a-skeered. It has nothing to do with alien abduction or deep sea fishing from a submarine. Unfortunately.

A Podcast is basically a downloadable radio show. You can click on this link to check it out:
http://www.saxtipspodcast.com/2007/03/saxtips-podcast-25-interview-with.html.

 Topics include how she got started in music, her dad’s record collection, WRVR FM, how she got the idea for Practice Like The Pros, how she got started in her recording career, playing with the Haitian compas bands, and tips on improving one’s playing. Music cuts are "Jam Thang for Ratdog" (The Blue.Seum Project) and "Slow Journey".

Sue will be featured in an extensive interview in the quarterly Jazz Improv Magazine, on newstands in two weeks.

http://sueterry.net/news.html

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Convergence 2007

The Convergence 2007 conference is almost over and it has been so fun seeing my friends and coworkers from all over the world and meeting new people. I do have conference feet at the end of the 10 hour days, but nothing that three aspirins can’t fix. The conference is in San Diego this year and I have some of my favorite extended family in town. But there is so much to do for this conference that I will not be able to hook up with my peoples. Once they find out I probably will never be forgiven.  ;o)
 
It’s so nice in San Diego. Highs to 80, cool in the morning, superior sea food and the food in general is top-notch. I am hotel’ing down by the Embarcadero and there hundreds of boats and ships docked right next to the convention center. There are over 8500 people at this convention but traffic management is so good that with a little bit of flow management on my part I haven’t had to stand in lines. We got to hear Joel Barker at the keynote this morning (some of you might recognize the professor as the Paradigm Shift guy). Today he was all about innovation and verge recognition.
 
Okay, I’m home tomorrow and maybe I’ll include some pics and get back on topic. Take care, peeps.
Posted in Travel | 4 Comments

After Watching a Number of Local Bands

This review was so well done, I had to share it with my friends who are considering starting up a band. And you thought it would be soooo easy.  ;o)

I saw your blog entry on the xBands.  I’m not so sure I was as keen on the vocalist.  Considering that with maybe 5 exceptions, every song was a female vocal arrangement, by the time I was done listening to the first set, I was kinda tired of her.  I think she was very good, but not so good as to captivate me for an hour.  Their guitar player did a few vocal numbers.  He was not very strong vocally, or more precisely I could not tell. Either their sound guy kept him a little under volume to hide the fact that we was not so strong, or he was falling asleep at the controls.

Overall though these bands had some nice things going.  They were quite tight, playing together stylistically.  Any quibbles I would have on individual playing would be a bit petty as they are much better than us at this time.  I don’t think though that they out of our league for where we can get too.

I remember thinking man, they’re playing 2 one-hour sets.  That’s a lot–then I realized that most of the music were vocal arrangements.  Challenging musically to get right, but not nearly as taxing on the chops.

As my wife and I left she did point out that they were in a completely different league from where we (the Dissonance) were at Christmas.   So we do have some work to do.  I’d like to make sure that when we take the covers off we’re really ready.

We also both agreed that after an hour, we thought it was missing something.  To me the bands looked bored.   Their stage presences weren’t bad.  The horns dance about a little and had some light horn gimmicks integrated, but it seems to lack a lot of spark.   I’m at a loss to define what was missing.

I would draw the following conclusions:

1) The wireless mics seemed to work very nice. They would be expensive and we’d need a sound guy/gal, but I think it is worth considering.

2) I initially liked the stand fronts the horns in most of the bands used, but I wonder if it didn’t block too much of the stage. You could not see the drummer. I wonder if part of the lack of spark was that the horns were almost hidden. When we went to see a Dixie festival last year, there was one band that regardless of their musical prowess (which was good), bored me to tears. They had three things in common with the xBands. Matching cheesy shorts, very little communication with the audience and band fronts. I am coming to the conclusion that band fronts might work well for a dance band, but not a show band.

3) I think if we do dance gigs, something we should be prepared to do, a better mix of vocal and instrumental might give the horns a better chance to shine.

4) I think if we show up at Third Place Books or Crossroads Bellevue, we’d best be prepared to play two hours of mostly dance music depending on the crowd. We need a much thicker book then you’re anticipating, eventually at least.

5) Never ever, under any circumstance, close a set with C-Jam blues. Seriously boring. Sucked the life right off the stage.

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Computer Skills help untapped labor force

Mercury News – Jay Forderer, a teacher’s aide, worked on a student’s monthly progress report Thursday morning, whizzing through the first paragraph in a matter of minutes.

Pretty standard fare, except for the fact that Forderer is partly paralyzed and it usually takes him 30 to 45 minutes to type one or two paragraphs in Microsoft Word. But a Microsoft philanthropic program that’s teaching him to use dictation software changed all that.

Getting better at using that software has helped the 43-year-old San Jose resident hold down a job. "All employers are looking for a person who can do the job not only accurately,” Forderer said, “but also in a timely fashion.”

Read more…

Seattle PI – More than two decades after leaving Microsoft Corp., Paul Allen still has designs on the computer business. But this time, he’s aiming for something smaller.

It’s a miniature computer, dubbed FlipStart, and it’s slated for release later this month, after years of development. The device rests on the palm but looks like a tiny laptop, contains a 30-gigabyte hard drive and runs full-fledged software on a microprocessor good enough for a traditional desktop computer.

"Really, FlipStart gives you everything that your laptop does," said Robin Budd, senior director with FlipStart Labs, a Seattle-based subsidiary of Allen’s Vulcan Inc. "We’re not promoting the idea that you would do CAD design on it, but for Office applications and most of what people do with their laptops, it’s great."

Read more…

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Visit my wife’s blog

Just a quick note today before we run to the Second Story Reps presentation of "Laughter on the 23 Floor". This has been a whirlwind weekend with so many fun things to do and Suzy had to work both Friday and Saturday nights.

Friday night we got to see Rainy City Riff Raff, a three horn combo which was pretty good and their vocalist was stellar. Gary and Christine joined us but we had to leave early because of Suzy’s work schedule.

We did get to see the 85th Street Big Band (who still do not have a Web site) at Crossroads Bellevue but the crowd was so big (for big band saturday) that we left after a security guard told us we had to find a seat or leave. There were no seats to be had.  :o(

So visit my wife’s blog and read about clarinets, kitties, and more. Live Spaces is easy to use and you can see in my fav blogs box that my Mom, wife, daughter, and grandson are all using it as their blog engine of choice.

Posted in Music | 2 Comments